The public dialogue on the arts and our national economic and cultural recovery is one in which all of us should and can have a voice. Some of our most thoughtful cultural leaders have been bringing this public dialogue directly to the White House. The exchanges there and elsewhere have fermented the drafting of new frameworks document for the arts in the context of what is being called “The Public Purpose”. The document is authored first to last by a brave contingent of artists and cultural leaders committed to the arts and the potency of their survival their value to all of us in a democracy.
Archive for the ‘Leadership’ Category
What Happened, President Obama, to the Idea of an Art Czar?
In Art, Cooking & Food, Creative Support, Current Events, Fashion, Health & Wellness, Interesting Articles, Leadership, Music, Theater/Film, Writing on March 26, 2009 at 7:11 pmThe following updates appeared on Judith H. Dobrzynski’s blog, Real Clear Arts
I know we all want to believe that the Obama Administration will do wonders for the arts and humanities. But so far, the news is not so good.
Yes, the $50 million for the National Endowment for the Arts in the stimulus bill was great news. But while we wait for appointments to head the NEA and the National Endowment for the Humanities, the appointment of Kareem Dale (below) as mini-czar — which is now likely to be temporary — and two lesser appointments suggest politics-as-usual.
Yes, you heard right- late last week, the White House seems to have appointed an arts czar — but no one seems to have noticed. His name is Kareem Dale, according to a short item in Saturday’s New York Times. As of 1 p.m. on Monday, there’s no press release on WhiteHouse.gov and no reports of the appointment at the Associated Press or Reuters.
I don’t know Mr. Dale, a lawyer from Chicago who is partially blind, but he doesn’t seem to have much of a profile. Searches on Google and Kosmix and in Factiva (which has articles from most major newspapers and many minor ones) turned up very little.
According to published reports, Dale hails from Chicago, graduated with a bachelor’s degree in advertising from the University of Illinois, Urbana-Champaign, and stayed there to earn a law degree and an MBA, which he received in 1999. He founded and is CEO of The Dale Law Group, which has no website. Campaign finance records show that Dale contributed $2,300 to Obama’s campaign in 2008 (and about the same during the primary season); then he volunteered for it. At some point, he became the campaign’s Disability Vote Director. The only mention of arts I could find was during his campaign volunteer days, when Dale was a member of the campaign Arts Policy Committee, plus service on the board of Chicago’s Black Ensemble Theater.
I can’t help but think this is not what many people in the cultural world had in mind when they asked President Obama to appoint a powerful person in the White House to raise the profile of the arts in the U.S.
Another oddity: in mid-February, the White House announced that it had named Dale to the post of Special Assistant to the President for Disability Policy. He still seems to hold that post.
Last night, The Daily Beast published my report on this and his appointment is not likely to last very long. It’s sad that his name was discovered by, or leaked to, The New York Times in the first place.
The most disappointing element of the story, however, is the appointment of Hollywood fundraiser Jeremy Bernard as the NEH’s White House and Congressional liaison; it’s an important job. Bernard claims a bachelor’s degree from Hunter College on his website, but Hunter says he did not graduate. When queried, the NEH said the degree is not in his documentation for the appointment. But the whole thing, not just the resume inflation, makes him a bit of an odd fit for the scholarly NEH.
I am pretty sure, by the way, that the White House has recognized this whole situation as a personnel snafu that has to be fixed. And it will — the question now is how and when.
Innovation in the Arts: ArtPeace Inc.
In Leadership, WEBSITES & BLOGS on February 27, 2009 at 12:41 amThank you, MARK LEWIS from Strategic Ideas.Org for passing this along! There are many ways to bring the community together here at ETA. One of the ways you all can participate is by forwarding on websites, articles, blog posts that remind you of the issues that get bounced around here at ETA. Please keep sharing!
ArtPeace, Inc. is a 501(c3) not-for-profit organization founded in Rochester , NY who is devoted to transforming education and creating social change by developing strengths in under served youth and adults, through the integration of arts, recreation, technology and entrepreneurship.
Kristin A. Rapp, LMSW, a social worker and therapist with a background in the arts conceived the idea for the organization based on her beliefs, that are also those of ETA, that we must envision a rise of the creative class in the 21st Century. We must create a generation of critical thinkers, innovators and responsible citizens of all ages who are prepared for life and work in a global community.
ArtPeace has seen tremendous growth since they became a not-for-profit organization in 2003. They went from being a “tribe of one”, providing creative arts therapy and producing public art works, to employing 90 youth and professionals in 2005, when they ran their first “young entrepreneurs” program.
The idea for ArtPeace came to Founder,Kristin A. Rapp, LMSW in 2000 when she was working with kids in foster care and figuring out that the traditional ways of handling problems in young people – counseling, medication and mainstream educational methods – were not as effective as they could be. These kinds of students needed to be engaged in productive activities that were meaningful to them with caring adults who could see their strengths.
ArtPeace was founded based on the premise that everyone is innately creative and that expression is the opposite of depression.
ArtPeace originated having therapeutic underpinnings and it continues to be the foundation of what they do. With their goal being to create healthy, well-adjusted and responsible young adults who elevate into peacemakers and agents of social change, they accomplish this through offering innovative education and youth employment that develops entrepreneurs, leaders and more effective workers.
“By targeting a person’s strengths, interests and dreams, ArtPeace helps young people see that they have a legacy to build and can craft their lives into something great because “all things are possible…” when they use their gifts and work hard.”
In fact, developing an entrepreneurial spirit is essential in a flattening world. In order to be employed and marketable in a global economy, young people will need to be creative and flexible individuals who can think on their feet, even if an opportunity is lost due to downsizing or outsourcing. Arts and technology skills further the rise of the “creative class.”
In addition, ArtPeace instills the “soft skills” that are needed in life and that employers are looking for. These include the ability to listen, communicate, make decisions, work collaboratively, be responsible to yourself and others, resolve conflicts and solve problems. They also build stepping stones to the “hard skills”, including using up-to-date technology and developing math and science skills, in creative ways.
“We want to develop individuals who take their civic responsibility seriously, give back to others and work together to make their community better, starting with themselves”.
Inside The Philosophy of ArtPeace
At ArtPeace, we don’t shy away from working with some of the most challenged youth, including chemically dependent, emotionally disturbed, mentally ill, developmentally disabled and those in the foster care and juvenile justice systems. We like to integrate low and high achieving youth. There are gifted and talented youth all along that spectrum and we realize that creativity is inherent for all. The arts and technology reach out to even the most isolated, nonverbal or troubled youth. We make every effort to wrap supports around our kids and to engage their families, realizing that they need support and opportunity as well.
Young people are immersed in a world of media, but we want them to be critical thinkers about what they are exposed to. We provide opportunities for them to be active creators of art and media and not just a passive audience.
The most effective interventions are those that are engaging, positive and practical. The arts and technology are powerful vehicles in this media-savvy world and the quantitative research, as well as qualitative and anecdotal evidence, backs this up.
Young people who participate in some form of artistic expression for at least 3 hours, 3 days a week for at least one year are:
* 4 times more likely to be recognized for academic achievement
* 3 times more likely to win an award for school attendance
* 4 times more likely to participate in a math or science fair
* 2 times more likely to read for pleasure
* 2 times more likely to perform community service
When engaged at school, truancy is prevented, performance is improved (grades go up), kids stay in school and are promoted. It is proven that the arts improve concentration, math and science skills, reasoning and discipline. Many national arts-based youth development programs site impressive test scores, advancement to college, leadership skills and elimination of maladaptive behaviors. The arts and technology tap into the myriad of developmental assets (outlined by The Search Institute in Minnesota ), higher order thinking and provides authentic opportunities to apply literacy, including visual and media literacy.
ArtPeace is building a model that develops strategic partnerships with successful businesses and in the corporate sector to train our future workforce. We also work with local colleges, in order to prepare diverse young people for higher education and to further develop their skills. Through the advancement of the products that ArtPeace entrepreneurs develop, we strive to become self-supporting, with consistently building revenue. By creating a workplace that is non-hierarchical, based on the “Sanctuary Model,” where power is shared, communication is open and honest input is valued from all, ArtPeace strives to become a top employer.
If you are interested in learning more about ArtPeace click here. To email Kristin: kris@artpeace.org
What Grammy Can Learn from 3 Innovators
In Interesting Articles, Leadership, Music on February 2, 2009 at 12:36 amThis article appeared in The Chicago Tribune on Sunday February 1, 2009
It was written by Greg Kot greg@gregkot.com
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If the sagging music industry really wanted to turn itself around, Radiohead, Lil Wayne and Paul McCartney would be doing more than just performing next weekend at the Grammy Awards in Los Angeles. They also would be dispensing business advice on innovative distribution models.
The National Academy of Recording Arts and Sciences, which represents the 20,000 industry professionals who vote on the Grammys, signed those high-profile artists to boost ratings at the nationally televised awards presentation (7 p.m. Feb. 8 on WBBM-Ch. 2). But the Academy should also study how these artists have continued to remain relevant and commercially successful at a time when the Grammys and the mainstream music industry are struggling.
Like the major labels the awards have represented for the last half-century, the Grammys need a makeover. Ratings are down; last year’s telecast drew 17.5 million viewers, down 12 percent from the previous year, and down 42 percent from the all-time 1993 high of 30 million. The music industry isn’t doing much better; it has lost one-third of its business in CD sales since 2000. The biggest losers have been the Big Four labels: Universal Music Group, Sony BMG, EMI and Warner Music Group, which traditionally back most of the Grammy nominees.
But the music world itself has never been more vibrant. Artists, many without major-label affiliation, are pioneering new avenues for releasing their music and building an audience. Radiohead, McCartney and Lil Wayne speak to different generations of listeners, but they have all expanded their careers in recent months by working around the stodgy music industry and releasing music in a wide variety of platforms.
Radiohead’s “In Rainbows,” nominated for album of the year among several awards, was initially released on the band’s Web site at a price of the consumers’ choice. Since then, the band has solicited and received thousands of fan-generated videos and remixes of the album’s songs. McCartney ended a four-decade partnership with the major labels in 2007 and revived his career by releasing his last two albums, one under the name of the Fireman, through independent outlets, including a coffee retailer. And Wayne paved the way for his multimillion-selling major-label release, “Tha Carter III,” also nominated for album of the year, with a series of unauthorized mix tapes distributed for free through the Internet.
In years past, independent artists had no place at the Grammys. Though the awards purported to honor “artistic excellence,” they focused primarily on big-budget releases from the handful of major labels that had dominated the business in the last half of the 20th Century.
The majors’ grip on music distribution loosened as peer-to-peer file sharing exploded on the Internet at the start of the decade. Illicit downloads now outnumber paid downloads 40-1, which means that more people are listening to more music than ever, but the mainstream industry hasn’t been able to take advantage of this extraordinary marketing opportunity. Radiohead, Wayne and McCartney were among the artists quick to recognize the potential of this new distribution model, and they operate as independent entrepreneurs rather than major-label vassals.
Another innovator the industry should be getting to know better is Nine Inch Nails’ Trent Reznor, who received two relatively minor Grammy nominations but is not scheduled to perform at the awards ceremony. That’s a shame, because few artists had a more successful year. Functioning as a one-man music industry, he released five albums’ worth of new music through his Web site in myriad formats and price levels. After releasing a boxed set of instrumental music last March, he reported first-week revenue of $1.7 million. Because he didn’t have a major-label publicity and marketing machine behind him, Reznor kept most of that take for himself.
Of course, Reznor benefited from years of major-label investment in building his career, as did McCartney, Radiohead and Lil Wayne. But now these artists, and countless others, are starting to realize that they don’t need a major label to communicate directly with their fans. In the next year, major breadwinners such as Pearl Jam, 50 Cent, Metallica and Beck will become free agents, and they will certainly ponder whether they’d be better off without a label when they release their next albums. Though the big labels have the resources to expose music in the mainstream media, they have lost the trust of consumers by placing profit and expediency ahead of artistic accomplishment and long-term growth. Listeners no longer deem many CDs worth the $18 list price and have sought out alternative means of sampling music, including file-sharing. Instead of following the consumers’ lead, the industry has tried to stifle them by suing file-sharers.
Radiohead, Lil Wayne, Paul McCartney and Nine Inch Nails have chosen a different path, one in which they deal more directly than ever with their fans, and it has paid off handsomely. The music industry would be wise to learn from their example.
Eastman School of Music grad Maria Schneider jazzes up her musicianship with a keen business sense
In Interesting Articles, Leadership, Music on January 18, 2009 at 8:00 pmHey Eastman Institute for Music Leadership thanks for the great plug! It really is all about community!
Written by ANNA REGUERO • STAFF WRITER for The Democrat and Chronical • JANUARY 18, 2009
I have such nostalgia for that school,” says Maria Schneider about the Eastman School of Music, where she received a master’s degree in 1985, studying closely with Bill Dobbins and Rayburn Wright. “It was just higher learning at its best. I worked so hard there.”
But Eastman wasn’t easy for Schneider, who did her prior studies at the University of Minnesota and University of Miami. She was rejected the first time she applied.
“I really, really appreciated it when I did get in,” she remembers. “I think one of the most valuable things about the school, the level of the musicianship is just so high. When you’re around other musicians striving and everyone’s at a high level, it just pushes everyone higher.”
Schneider returns to Eastman on Friday to perform a concert with her 18-piece jazz orchestra — the same band from her two Grammy-winning recordings — as a benefit to help deserving young jazz musicians afford tuition at Eastman. A number of Eastman graduates are members of her band, including Charles Pillow (alto saxophone), Rich Perry (tenor saxophone) and Gary Versace (accordion).
Schneider, who can’t help but speak openly about her insecurities, remembers fearing disappointment during her time at Eastman; she wanted to prove that she was worthy of being accepted to the school.
I think you can rest easy now, Maria.
Schneider’s musical voice has become unmistakable. Her compositions are mostly through-composed with specific solo sections, meaning that her music is written out much like a classical composition, rather than simply a head melody with chords. Yet the music remains within a complex jazz vocabulary and allows for areas of improvisation, using all the available sounds in a jazz orchestra. Her compositions are large works rather than merely tunes.
Most noticeable is that they’re melody-driven. Schneider creates unique beauty and expression through her warm-bodied compositions.
Since Schneider’s school days, she’s become more than just a composer of some of the most original big-band music out there. She’s also become a symbol of entrepreneurship, a hot topic now for the next generation of musicians.
After ditching a record company for fear of losing the rights to her own creative material, her 2004 recording Concert in the Garden was the first recording to win a Grammy (best large jazz ensemble recording) without in-store distribution; instead, it was dispersed solely over the Internet.
Using the same method, her composition “Cerulean Skies” (from Sky Blue), a piece inspired by bird watching, where bird calls fold into an atmospheric dreamscape, won a 2008 Grammy for best jazz composition.
Schneider was the guinea pig for a Web site called ArtistShare, which allows artists to not only sell their finished recordings but also documents the making of the project. Those who want a CD become participants who pay for different levels of access to Schneider and her creative process and ultimately fund the recording along the way. At the highest levels, for example, a fan could meet Schneider and even witness a recording session.
It’s Schneider’s willingness to try out an uncharted business model that’s brought her as much fame as her breathtaking compositions.
At Eastman, Schneider will also be a featured conference speaker in “Preparing the Generation-E Musician: The Place of Entrepreneurship in Higher Education Music School Curriculum.” The conference, which runs Thursday through Saturday, invites music school leaders from around the country for timely workshops.
“She’s the poster child for this with all the work she’s done with ArtistShare,” says Ramon Ricker, the director for Eastman’s Institute for Music Leadership. “I think this Internet thing where she is actually connecting with her audience by allowing them to be in the process with her, she has the kind of personality that can do that.”
Schneider advocates for musicians to be more than one-trick ponies. “Classical music and jazz, all these forces in schools need to come together,” Schneider says, giving her advice to schools. “The musical world out there is becoming integrated and eclectic.”
It would make sense, then, that Schneider’s latest entrepreneurial and musical risk has been crossing over to classical music. She was commissioned to write a piece for the soprano Dawn Upshaw and the Saint Paul Chamber Orchestra called “Carlos Drummond de Andrade Stories,” which received a performance in October.
“Originally I was really scared,” she admits. “How am I going to bring my voice to the classical world? I’ve heard lots of jazz people write classical music and suddenly you wouldn’t know it’s the same person.”
Once she started writing, she realized how easily her ideas translate to classical music — the intricate harmonies, the counterpoint and especially her keen sense for melody. The hardest task was writing for voice.
Schneider has been known for her use of vocalese, where the singer sings a pitch without words, masked as another instrument in the texture.
“The next transition was writing for words,” she says. “I was surprised to find out that I love it. My initial thought was, it’s hard enough to write music; how am I going to write with this extra limitation on it?”
The musicians, she says, seemed to be taken aback with the freedom of expression she asked for, including Upshaw, who works with a number of contemporary composers.
“I’m not even talking about her improvising, just going ahead and behind the beats,” says Schneider. “It shocked her that I would give her that liberty.”
She expects to work more with Upshaw on future projects. She’ll also be doing a good dose of classical composition, as she’s just accepted a commission from the Kronos Quartet. She’s also in talks with Peter Sellars about writing a staged theater work.
“Everything is a first,” she says. “The thing I learned from the Dawn Upshaw thing was to just jump off a limb and do something different.”
Bridging the Ingenuity Gap with a Carrot?
In Art, Cooking & Food, Creative Support, Emotional Intelligence, Entrepreneurial Evolution, Entrepreneurial Tool Box, Leadership, Music on January 15, 2009 at 10:34 amHow could you inexpensively contribute to reducing the growing epidemic of childhood obesity while simultaneously offering low income children, who lead statistically in childhood obesity, an instrument to learn how to play music?
If your not sure of the answer then watch this You Tube video. For the price of a carrot, and the use of a drill, well known Australian musician, instrument maker , composer, musical director and community music facilitator Linsey Pollak has found a creative solution, to me, for both of these two problems simultaneously by using his entrepreneurial creativity.
His solution: turn the carrot into a musical instrument and then what the heck- you might as well eat the carrot for lunch don’t you think? Play Carrot Music- Eat Carrot, Yum-Repeat Often
How much easier it might become for artists to contribute to bridging the gap to some of our most challenging world problems, if only we would teach the development of an entrepreneurial mindset alongside of artistic excellence. Tomorrow I need another carrot. Do you have one?
What is the ingenuity gap?
Scholar Thomas Homer Dixon describes the “ingenuity gap” – the space between problems that arise and our ability to solve them – as growing today at an alarming rate (in business, scientific research, education, the environment and world affairs). Author Ken Robinson proclaims we are “Out of Our Minds” to have sidelined creativity and the arts when every layer of American society from elementary education to supply-side economics is starved for more imagination, more original thinking, and more creative intelligence.
A Creative Leap at Catalyst Ranch
In Art, Cooking & Food, Creative Support, Current Events, Emotional Intelligence, Entrepreneurial Evolution, Entrepreneurial Tool Box, Fashion, Leadership, Marketing, Music, Networking, Risk, The Idea, Theater/Film, Writing on January 9, 2009 at 10:34 amJohn Cimino, from Creative Leaps International, and I are pleased to announce that Catalyst Ranch, an incredible creativity-driven meeting space provider and progressive business-thought-leader, has offered us the opportunity to use their facility as our home until we are able to have our own space for a Chicago based Renaissance Center. (OMG. Chicago Arts Incubator? Any of you remember me sharing my dream about creating one? Well, my “lucky” day may just be around the corner, with my friend, John. But don’t get too excited for me just yet.-
Those dang last-stretch-to-home corners are not that lucky to actually get-off-easy, catch a break, and make a quick turn around. Most of the time.
Oh, and the other problem? You know the euphoria you feel followed by the inside-your-head part, that voice that says nice stuff to you, sometimes part, like “yah, this is really gonna happen?”
Well I got big news, there ain’t no stinkin’ guarantees! But really, once you get use to muscling-a-stomach for taking some calculated risks in life in the name of passionate-pursuits– it’s really not all that bad and maybe even a fun– most of the time- except for maybe all of last year but who’s counting)
SO, If you live in Chicago, please come. Or if you are passing through town, too, please, won’t you come? Or maybe you have a few friends who your sure would really be interested in knowing more about this and who might even consider coming to Chicago? It’s Wednesday January 28th from 6-8pm
Won’t you join us to learn more about the work of Creative Leaps and The Renaissance Center in Chicago? If you would like to reserve a seat please email me, Lisa@EntrepreneurTheArts.com. The event is free but seating is limited to the first 75 who reply. ( And if you have never been to Catalyst Ranch- trust me- you’ll want to come.)
John Cimino, president of Creative Leaps International, is returning to Chicago for a third round presentation and discussion of his theme: “Bridging the Ingenuity Gap in the 21st Century”. For the benefit those who missed his sessions in September and October, John will provide a quick paced summary of his earlier presentation before moving on to a wider discussion of his vision for a Renaissance Center for Innovation, Learning and Leadership in the Chicago area.
In his initial sessions, John Cimino discussed the “habits of mind” linked to creativity, ingenuity and imaginative insights. He also reviewed recent findings in neuroscience revealing the brain’s unique experience of the arts and arts-based thinking. Alongside creativity, Cimino emphasized the need for connectivity, that is, thinking across boundaries, disciplines and cultures to address the complex issues of a globally inter-connected world. According to Cimino, designing “high tech, high touch” environments for creativity and connectivity is the central challenge of our institutions of higher education, research and professional development.
(from his introduction) Scholar Thomas Homer Dixon describes the “ingenuity gap” – the space between problems that arise and our ability to solve them – as growing today at an alarming rate (in business, scientific research, education, the environment and world affairs). Author Ken Robinson proclaims we are “Out of Our Minds” to have sidelined creativity and the arts when every layer of American society from elementary education to supply-side economics is starved for more imagination, more original thinking, and more creative intelligence.
In this latest session, John Cimino opens the doors to a deeper examination and wider discussion of his vision for a network of Renaissance Centers for Innovation, Learning and Leadership and their significance in bridging knowledge across disciplines. In particular, he will ask how can such a Renaissance Center best serve the needs of Chicago’s own institutions of higher education, business, commerce, leadership, creativity, the arts and arts-based education reforms in the schools? What kinds of partnerships among institutions, public and private, would be essential? Finally, in addition to addressing the needs of individual sectors, what global and overarching issues important to Chicago should the Renaissance Center address in its cross-disciplinary, transdisciplinary and interdisciplinary forums?
Come join John Cimino for an evening of spirited dialogue, creative collaboration and exploration of a new vision for interdisciplinary learning, creativity and leadership.
Jump Start Your Life- I have the spark plug
In Accounting, Art, BOOKS: Learn and Grow, Cooking & Food, Creative Support, Customer Service, Employees, ENTREPRENEUR THE ARTS, Entrepreneurial Evolution, Entrepreneurial Tool Box, Fashion, Health & Wellness, Leadership, Legal, Marketing, Money, Music, Networking, Risk, The Idea, Theater/Film, Writing on January 7, 2009 at 1:16 pmOne of the reasons I want to write books is because books, art, poetry and film, as examples, all intrinsically are built to last. Their very form offers easy “spark-creating-experience” access, like a hand full of nourishment going right into our mouth. Love that rush of energy that follows, don’t you? You know, the part before you get tired?
While it is impossible for a memory to replace the actual real time experience of ephoria, or intense joy, anger or sadness– only the kind a work of art can deliver, it can be waiting eagerly for you on a shelf, if it’s a book, or hanging on your wall.
What a basic concept entrepreneurship is for artistry, and yet without this simple “must have”, generations upon generations have defined who we are and what we are capable of creating for others in life, through a very narrow, confining, and as I see it, rather destructive single lens.
In honor of the power of the written word to enlighten and transform, here is my recommended reading list to jump start your very best you in 2009.
Do You Want to Become More Entrepreneurial?
* Small Giants: Companies That Choose to Be Great Instead of Big, by Bo Burlingham
* The Art of The Start by Guy Kawasaki
* Awakening the Entrepreneur Within: How Ordinary People Can Create Extraordinary Companies,
by Michael Gerber
* Who’s Your City? How the Creative Economy is Making Where to Live the Most Important Decision of Your Life, by Richard Florida
*The Illusions of Entrepreneurship: The Costly Myths That Entrepreneurs, Investors, and Policy Makers Live, by
Scott A. Shane
*Bounce!: Failure, Resiliency, and Confidence to Achieve Your Next Great Success, by Barry J. Moltz
*Birthing the Elephant: A Woman’s Go-For-It Guide to Overcoming the Big Challenges of Launching a Business, by Karen Abarbanel and Bruce Freeman
Marketing Maven
* Unleashing the Ideavirus by Seth Godin
* The New Marketing Manifesto: The 12 Rules for Building Successful Brands in the 21st Century (Business Essentials) by John Grant
* The Tipping Point: How Little Things Can Make a Big Difference by Malcolm Gladwell
* Coercion: Why We Listen to What “They” Say by Douglas Rushkoff
* Purple Cow: Transform Your Business by Being Remarkable by Seth Godin
* The Anatomy of Buzz: How to Create Word of Mouth Marketing by Emanuel Rosen
* The New Rules of Marketing and PR: How to Use News Releases, Blogs, Podcasting, Viral Marketing and Online Media to Reach Buyers Directly by David Meerman Scott
Organizational Development
* The Discipline of Market Leaders: Choose Your Customers, Narrow Your Focus, Dominate Your Market by Michael Treacy
* Good to Great: Why Some Companies Make the Leap… and Others Don’t by Jim Collins
* The Art of Profitability by Adrian Slywotzky
*First, Break All the Rules: What the World’s Greatest Managers Do Differently by Marcus Buckingham
* Now, Discover Your Strengths by Marcus Buckingham
* Emotional Intelligence: Why It Can Matter More Than IQ by Daniel Goleman
* The 7 Habits of Highly Effective People by Stephen R. Covey
Financial Health Check
*The 9 Steps to Financial Freedom: Practical & Spiritual Steps So you Can Stop Worrying by Suze Orman
* Finance Your New or Growing Business: How to Find and Raise Capital for Your Venture by Ralph Alterowitz and Jon Zonderman
*Conscious Finance: Uncover Your Hidden Money Beliefs and Transform the Role of Money in Your Life by Rick Kahle
*The Seven Stages of Money Maturity: Understanding the Spirit and Value of Money in Your Life by George Kinder
*The Soul of Money: Transforming Your Relationship with Money and Life by Lynne Twist
Reaching for Greatness
* The Art of Possibility: Transforming Professional and Personal Life by Rosamund Stone Zander and Benjamin Zander
* This Time I Dance! Creating the Work You Love by Tama Kieves
* Make the Impossible Possible by Bill Strickland
* The Everyday Work of Art by Eric Booth
* The Courage to Teach by Parker Palmer
6 Tips for Using Free On-line Business Tools
In Accounting, Art, Cooking & Food, Creative Support, Customer Service, Employees, Entrepreneurial Evolution, Entrepreneurial Tool Box, Fashion, Health & Wellness, Interesting Articles, Leadership, Legal, Marketing, Money, Music, Networking, Risk, The Idea, Theater/Film, Writing on January 6, 2009 at 1:33 amJanuary’s Entrepreneur Magazine offered these six tips on using free on-line tools:
#1
Just because it’s there doesn’t mean you have to use it. “Because there’s so much out there, businesses have a tendency to be like a kid in a candy store,” says Drew McLellan. “Start with the strategy of what you want to accomplish, and then find the tool that will allow you to do that.”
Adds Mike Whaling, “It’s a matter of figuring out which tools are right for your business. Know your audience, and then go to where they are already having conversations.”
#2
You don’t have to figure it all out by yourself. McLellan suggests doing a simple Google search on a tool or task you want to accomplish. “You’ll find people talking about it,” he says. “And people are incredibly quick to share what they know.”
#3
Don’t lose your company’s brand. Using a variety of tools can lead to an inconsistent company image and voice. Says McLellan, “Run it through the litmus test of ‘Is this right for my business? Does it portray my business the way I want?'” Whaling also emphasizes thinking about what your business’s name will be associated with because many free tools are ad-supported.
#4
Push your preconceived notions aside. MySpace and Facebook aren’t just for the kiddies anymore. Says McLellan, “There are a lot of people conducting business on [these sites].”
#5
Does the tool have staying power? For every successful blog, video website or social network, there are dozens that won’t make it. So, again, talk with people online and discuss their experiences with the tool to gauge its stability and reliability.
#6
It may be free, but you still need to invest. Just creating a profile won’t cut it. Making the most of these tools requires time and effort, says Whaling. “There’s an investment in reading other people’s blogs, commenting on posts, getting involved in the community and building relationships.”
My 2009, and Yours?
In Art, Cooking & Food, Creative Support, Emotional Intelligence, ENTREPRENEUR THE ARTS, Entrepreneurial Evolution, Entrepreneurial Tool Box, Fashion, Health & Wellness, Leadership, Marketing, Music, Risk, The Idea, Theater/Film, Writing on December 28, 2008 at 3:37 amBefore every New Year, I find myself always hoping to be and do better than the year before. Don’t you? Yet, lately I have been feeling like my progress has seemed more like 2 steps backwards and 1/2 a step forward.
But if you’re anything like me, artistic, sensitive, self-critical and gushing with ideas, it’s hard to not want to let yourself flow with your creativity, even when you know progress can sometimes be painful. After all what do you have to lose- except for 2 1/2 steps one direction or the other, right?
The issue, of course, is when what once felt like a peaceful flow has now turned into a raging river. The kind of shift in your thinking or situation that makes you wonder what possessed you in the first place to ever think you could peacefully have your ideas flow into accomplishment- just the way you envisioned.
So now what?
I know how you feel, if you have ever felt this way. This whole past year for me, with my book, has felt like a roller coaster ride. My ride has had lots of unexpected twists and turns and the occasional jolt, just for good measure, when I least expected it. And all this adventure has me feeling a wee bit wobbly. (just like the Weeble Wobbles, remember them?)
Do I really want MORE adventure in 2009?
How about you? Are you ready to let your creativity spring like jack, out of-the-box, unconventionally? Are you ready for some bumps, twists and turns on your entrepreneurial creative adventure ride?
Not sure?
But remember, parts of the ride are GUARANTEED to be exhilarating- and it’s always those parts we most remember. Terror-filled-moments only last briefly, but when they occur how much more the rush of exhilaration mattered. Feeling creative freedom is worth a little terror, I think. Don’t you?
And so for me, wobbly legs and all, 2009 must include a number of new challenges and a few more new adventure rides.
My first, on both fronts, will be to self-publish Build a Blue Bike. My friend, composer and jazz pianist David Cutler, has just finished a book called The Savvy Musician. He and I have decided to release our books together sometime before June of 2009. Our books fit nicely together.
Of course this is not at all the road I expected to take, but it’s one that has just opened and I have to explore. I am over feeling stuck and wondering “so now what do I do with the manuscript?” It’s more fun to be looking forward to the anticipation of being on another creative adventure-filled-ride, really.
I have about 5 other projects, too, that I need to sit down to chart my course of action for in 2009. Of course, I already know that I will ultimately have to learn to let go of each of my plans, eventually, because each I plan will twist and turn and jolt in ways I cannot possibly right now even begin to imagine!
So why bother to plot my planning?
Because I believe luck favors the prepared mind. Hard work and perseverance in the end always win. Adding new hands, feet and heads as unexpected surprises into your adventure sometimes means rewritting the plan. And, as a result, that may mean the story may take longer to tell, but your determination and effort only make your story all that much more compelling when you reach your “lucky” happy ending. Our dreams, with preparation and perseverance, really can come true.
Welcome in 2009!
To ring in the New Year I am headed off to Santa Fe. It’s cold there but a good fire, a few unfinished books and a massage, and hot tub or two, at Ten Thousand Waves, are waiting for me there. I hope you too will spend some time before the New Year to plan your “luck.” I’m rooting for both of us in 2009!